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Glass

November 2010 glass jewelry (part 2)

“Sound travels 95 miles across the grassland”:
(glass, copper, antique Japanese copper chain)

Sold.

My favorite bit about this one: the copper inclusions trapped inside the glass, coordinating with the antique Japanese copper chain.

The title is from Typographica’s type board for Rocky.

“As local as your fingertips”
(glass, silver)

Sold.

The title is from Stephen Dunn’s gorgeous poem, How to Be Happy: Another Memo to Myself

I love the perfect stripes of texture – it’s like a tornado bead, almost, marbled like the inside cover of an antique leatherbound book. Something strange and awesome about how the encasing glass melted in. Also, I love the bubbles and tiny dots of silver trapped inside the glass.

Other side:

“What we need is here”
(glass, silver)

This is more what the necklace ends up looking like:

The title is from Wendell Berry’s poem of same name.

“Dance before you are bidden”
(glass, silver)

Sold.

Other side:

Oh, prong settings are so much less annoying than bezel settings!

I may make similar pendants with more of my cabs, but hammered circles rather than twisted, and heavier wire.

I promptly named this one “Kissing & other Diversions” for Amal, who is an endless fount of inspiration.

Yeah, that’s one of my glass headpins on twisted, oxidized sterling silver wire, with another small glass bead and a Bali silver bead piled on top. And they’re all STARING AT YOU.

I finally tried making some earrings, already sold.

I love that purple.

Another pair, copper and dark aurora baleened around the glass.

“I loved you on purpose”
(glass, fine silver)

The title is from Ntozake Shange’s brilliant poem/play, for colored girls who have considered suicide / when the rainbow is enuf.

November 2010 glass jewelry (part 1)

I spent November trying to be more productive about turning more of my glass work into finished pieces, largely in anticipation of a craft fair and art show I’ve reserved tables in over the next two months. This was my first batch of work from early November.

“Leshy”
(glass, silver bail, hand-dyed (not by me) silk ribbon finished with a sterling clasp and extension chain)

I bought that wavy bail to see how I felt about using such things. I like it here, and am inspired to create more of my own bigger bails for larger glass pieces.

This bead feels huge to me, so it really needed that big bail and big wide beautiful ribbon to stand up to it. Some little chain would never have managed.

Leshy are forest spirits in Russian folklore, lords of the forest, “sly as foxes and tricky as the wind” (as Josepha Sherman puts it in The Shining Falcon). They cavort and laugh and lead you astray through the wild twists of the woods.

“Shedding bricks like feathers”
(glass, silver)

Sold.

The title is from Still Life With Woodpecker by Tom Robbins.

That organic base is made by swirling silver lustre glass stringer over a sort of red and cream colored odd lot, which creates these amazing chemical reactions and brings out all those earthy tones.

Here’s how it hangs:

“The sea is not a safe place for unprotected morsels of protein”
(glass, copper)

Sold.

The title is from Steven Weinberg in his Dreams of a Final Theory.

Better view of the inner texture of some of those twisties:

Pushing myself means trying new techniques. Here’s one of the glass cabs I’ve been making on a ring! This was my first attempt at both bezel-setting and ring-making.

It’s a little tiny bit wobbly, though set tightly enough that it’s definitely not going to fall out – I think I just cut the bezel a bit too loosely. I gave it to my goddaughter, who doesn’t mind a bit of wobble and receiving a steady stream of not-quite-sellable jewelry as I work on learning new techniques.

“Reducing the infinite”
(glass, silver)

This is a bead from a few months ago, very much on the delicate end of the spectrum of my work.

“Civilization is the process of reducing the infinite to the finite. I could dilate, but refrain.” – Oliver Wendell Holmes, Jr.

“We are here for problem-solving”
(glass, steel key, sterling silver jump ring, recycled sari silk ribbon)

Oh, and yes, the bead moves freely on the tiny antique skeleton key.

“We are here for problem-solving. Not to have problems out of the way in some stupid, sublime something called peace. We’re here strictly for problem-solving, and the better you get at it, the more problems you’re going to get to solve.” – R. Buckminster Fuller, Everything I Know

“A poem about everything”
(glass, brushed sterling silver bail, rubber cord with sterling silver clasp)

“I was reading the dictionary. I thought it was a poem about everything.” – Steven Wright

The last of my October 2010 glass work

I have a lot of catching up to do! Let’s start by finishing up posting the last of the glass work I created in October:

In the midst of taking photos of my friend Alanya’s beautiful wire wrap jewelry, she kindly agreed to model some of my pieces for me as well.

“Wine-Dark Sea” ended up as a necklace with garnet and bali silver beads:

She’s so pretty, she makes my stuff look even better!

It’s so hard to schedule modeling handmade jewelry, especially when taking into account limited daylight this time of year, and such a treat when it happens.

“Bug-Eyed Monster” became a simple pendant, already sold:

Other side:

Bead close-up, for reference:

This one, “All windows look out to the same sky”, is long since purchased:

And one more wacky fun piece, with all this hammered silver and shark teeth and such. I think I’m calling it “Continually Overlooking”:

Sadly, no one was here to model it for me.

Here, a better texture shot:

The other tooth:

Lyceum Holiday Market – Blurb

I’m going to be at the Brooklyn Lyceum Holiday Marketplace on December 18th & 19th, 11am-7pm both days. Stop by and say hello, and check out my glass art jewelry in person! I’ll also have juniper and bergamot lip balms for sale, made with beeswax and honey from my hive.

When: December 18th & 19th, 2010, 11am-7pm
Where: 227 4th Avenue, Brooklyn, NY.

In order to apply for a table at the market, I had to persuade a dear friend to help me come up with a good blurb describing my work. Here’s what we came up with:

Brutally intelligent and sophisticated design. Anarchy in glass, worlds without end trapped in silica. Handcrafted from molten glass at the torch, enhanced with fine metals and other accompaniments. Brilliant, almost painful to behold, daring to wear. Wrought in the forges of Brooklyn itself, beloved by poets.

Recent pendants

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Blue period (September 2010)

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“And the sky full of stars”

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(Glass, sterling silver, hand-dyed silk ribbon) (September 2010) (sold)

Octopus Bead (August 2010)

This was for a commission to create a bead with three octopi holding tentacles.

They’re so tentacularly cute, I just can’t stand it!

Glass beads: July 2010 (3/3)

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Necklaces: July 2010

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